Flaw Mendes, with his “Galhápis” (Branch-pencils), thinks of rivers that trace and shape flows of ideas, crossing through papers. Rivers that inscribe and write his stream-writing. The exhibition “Orgânicos” by Flaw Mendes is an invitation to enter his ancestral forest, a vast field of visions – in earthy tones – of organs that once were and continue to be music to the ears, intoning the sounds and meanings of vast trees from fertile lands eager for learning. At first, the exhibition looks like a dehydrated forest – which, being penciled, varnishes and points to paths that lead us back to writing, above all to who we are. An affected escrevivência (write-living), a spearhead that (un)challenges itself always at the extreme of discursivities. The series entitled Orgânicos (Organics), which gives the exhibition its name, is one of the countless branches of his poetic limbs, from which “What writes your writing” and “Incomum” (Uncommon) – recent previous shows – have already sprouted. Thus, it is important to know that this research-path that lurks at organicity, the origin of things and their denaturations, is a latent interest in his lexical trajectory, where the verb is action in the construction of words and becomings that surround his most intimate images.